Tag Archives: Culture

My wife, the soon-to-be-famous author


This is a post about branching out and trying new things with the written word. But it’s not about your blog host.

It’s about my wife.

Jacqui, like me, is a copy editor. But unlike me, she’s a talented, hard-working writer who is slowly starting to make a name for herself.

Over the past couple of months, she’s had three pieces of short literature published in a Bay Area webzine, Doorknobs & Body Paint. Two of them appear in the August issue, which is a pretty cool accomplishment.

And now, for your reading pleasure, I present:

Clocked In

Tokyo Exchange

Crib Notes

I’m so proud of you, honey. Now go write that best seller so we can quit our shaky jobs in a dying industry.

‘Before the First Pitch’


I love soaking up the atmosphere in a minor-league baseball stadium. I don’t even have to pay attention to what’s happening on the field; the real fun is people-watching, beer-drinking and hot-dog-eating on a soft summer night.

With that in mind, here’s a little video about the pregame preparations at McCormick Field in Asheville, N.C. , which is one of my favorite places on earth. (The city is pretty fantastic, too; I’ve been away a decade, and I still miss it.)

Bonus note: My old friend Chris Smith, who works for the Asheville Tourists baseball club, makes an appearance.

Enjoy the video.

Elvis Presley, my mom and mortality


Elvis Presley died on Aug. 16, 1977, 33 years ago this week. That date also was my mother’s 40th birthday.

What’s the connection? This:

Patsy is the one on the left.

This photo of my mother with Elvis was snapped after a concert in Sheffield, Ala., in 1955 — a few months before the young singer from humble beginnings in Tupelo, Miss., would generate the kind of hysteria that would make a semi-intimate fan photo like this almost impossible.  Then, he was just a handsome up-and-comer who was part of a multi-act touring show. After the release of Heartbreak Hotel in early 1956, his world — and ours — changed forever.

As for Patsy,  the young student from humble beginnings in Haleyville, Ala., obviously didn’t achieve international fame, but she did become an award-winning educator and a wonderful mother. She was only a slight fan of Elvis’ music (I think we owned maybe two of his albums), but his death, falling on the day she crossed over to middle age, clearly affected her. She seemed more stunned than mournful, perhaps because the demise at 42 of the larger-than-life personality who once briefly clasped her hand was an intimate reminder that youth is fleeting, and death can arrive when we least expect it.

Sadly, my mother’s own death came far too early as well — 14 years later, at the age of 54. And unlike Elvis’, it wasn’t sudden; cancer, not an overdose, was the culprit.

These two disparate lives crossed paths just once. Fortunately for me and my family, that moment is memorialized in this photo.

It’s impossible for me to look at it without feeling wonder and sadness at the trajectory of both their lives, especially the woman who helped me become the man I am today.

Happy birthday, Mom. I still miss you.

Abdullah the Butcher: ‘He’s a big ol’ man’


So pro wrestling legend Abdullah the Butcher is still inflicting pain in the squared circle — at the age of 73?

Apparently so, according to this terrific NYT profile of Abdullah (real name Larry Shreve), who portrays himself as “the Madman from The Sudan” but is actually Canadian. Of course.

Aside from moving a lot slower, Abdullah has hardly changed in his 50-year career. He’s still a giant, tipping the scales at 400-plus pounds. He still gouges opponents with his trademark fork, the ultimate pro wrestling “foreign object,” which always materializes from somewhere deep inside his costume. He still slices his forehead to bloody ribbons during a match, transforming his psychotic visage into a “crimson mask.” And he’s still, shall we say, entreprenuerial.

…  Abdullah explains what motivates him. “Money,” he says. Then, for emphasis: “Money.” …

When first approached for an interview, Abdullah demands payment. “Everything has a price,” he says. “I’ve got to make a living.”

On the night of his match, before an interview is mentioned, Abdullah’s first words are, “Where’s my money?” When reminded that he will receive no compensation, he points to a stack of autographed photographs that sell for $10 apiece and says, “Buy one of these.”

It gets better. Deep in the story, you discover that Abdullah’s entrepreneurial spirit also manifests itself in an Atlanta restaurant — Abdullah the Butcher House of Ribs & Chinese Food.  It’s everything you’d expect from a house of ribs and Chinese food named for a maniacal pro-wrestling heel.

This is a great country.

Congolese dandies and condescension


The person who tweeted this  amazing photo gallery of a fashion-conscious Congolese subculture wonders whether these dandies are an example of  “Western influence at its worst.”

 

Really? Snazzy suits represent the West at its worst? Or is the problem the conspicuous consumerism that contrasts so starkly with the grinding poverty? Or maybe it’s the eternal enemy, “Western cultural imperialism,” which has brainwashed a new set of victims to reject their simpler yet more virtuous modes of dressing? (I know. I’m reading a lot into a tweet.)

Whatever the reason, I think she’s wrong. To me, these impoverished Africans, with their incongruous elegance,  might represent what’s best about “Western influence” — audacious individualism. They’re asserting the right to make their personal world special, and they look pretty fantastic doing it.

Furthermore, they’ve reached halfway around the world,  snatched away an aspect of another culture and merged it into their own — and what’s wrong with that? In a way, they’re not dissimilar from Vampire Weekend, whose music mimics Congolese soukous. Yet something tells me that VW, being pretty much the pinnacle of Stuff White People Like, isn’t going to be dubbed an example of “Congolese influence at its worst” by the Internet’s cultural curators.

And that’s how it should be. We need more snatching and mimicking. As far as I’m concerned, all things of value created by human beings anywhere are the birthright of all people everywhere.

The condescending idea that these style-conscious men are betraying some static standard of “authenticity” really represents the West at its worst. You get the sense that the author would have been happier if they were photographed wearing rags and pounding cassava.

Then again, maybe she just didn’t like the clothes.