Monthly Archives: June 2010

‘The stretched-out walk to independence’


This New York Times article about young adulthood lasting into middle age intrigued me — and not just because I’ve lived it:

People between 20 and 34 are taking longer to finish their educations, establish themselves in careers, marry, have children and become financially independent, said Frank F. Furstenberg, who leads the MacArthur Foundation Research Network on Transitions to Adulthood, a team of scholars who have been studying this transformation.

“A new period of life is emerging in which young people are no longer adolescents but not yet adults,” Mr. Furstenberg said.

National surveys reveal that an overwhelming majority of Americans, including younger adults, agree that between 20 and 22, people should be finished with school, working and living on their own. But in practice many people in their 20s and early 30s have not yet reached these traditional milestones.

Let’s see: I finished college at 22, and I moved out of my parents’ house to begin my first newspaper job within a month of graduating. However, unlike a lot of my friends, I was a late arrival to marriage (Jacqui and I got hitched when I was 38) and home ownership (I was 42 when I reached that milestone, thanks to the D.C. region’s horrifying housing bubble, which forced us to put off buying a house for several years).

It looks like this societal shift is here to stay, for three reasons. First, of course, people live longer, healthier lives. Second, indicators point to several years — maybe a decade or more — of slow economic growth. That will force many college graduates to live at home longer than they might have otherwise.

But the big driver of this trend has been with us since the Sixties: the remaking of the American Dream. Previously, it was a well-paying job, a spouse, 2.2 children and a house in the suburbs — all before you turned 30. Today, it’s a quest for personal fulfillment and a life that fits your own aspirations, not society’s. That “quest for meaning” manifests itself in many ways: multiple college degrees, frequent career changes, taking a year (or more) off to travel, and so on.

Those things enrich life in valuable ways,  but they inevitably delay what society considers our traditional responsibilities. (Of course, if the economy takes a nosedive off a cliff, the self-actualization crap won’t matter anymore. We’ll all be living at home with our parents — and not because of grad school, either.)

But as always, predictions are tricky, especially about the future — and even more so when it comes to the social sciences. Real life is always more interesting than the research that measures it.

Brazilian soul? No. 1 with ‘Bullet’


Mindless channel-surfing can combine with purposeful Web-searching to spin you in surprising and satisfying directions.

I was flipping around one night after work when I stumbled across a disturbing, fascinating documentary on IFC, Manda Bala (Send a Bullet). The film’s subject matter — crime and political corruption in Brazil — would be compelling enough on its own. But what really grabbed me was the soundtrack, and this song in particular:

I was instantly intrigued by the tune, so I jumped on Google to try to find out more about the soundtrack. From there, it was an easy search for the artist, Tim Maia (a fascinating character worthy of his own documentary). And then to  iTunes, where I purchased the song, and then to YouTube, where I found the video and shared it on my Facebook page. Pretty cool.

There’s a lot of talk about how the Internet is making us stupid, and in an online world populated with cat videos, illiterate Facebook status updates and much worse, they may have a point. But 15 years ago, it would have been impossible for me to learn about and purchase a song I really like within 10 minutes of hearing it on TV — and do it without leaving the comfy chair in my den.

‘Breaking Bad’: Freaking great


In the moral universe of AMC’s Breaking Bad, terrible choices cascade into worse consequences, and Sunday’s cliffhanger conclusion of Season 3  dialed that theme up a notch. Maybe three.

To summarize: Walt orders Jesse to murder Gale, saving Walt’s hide but also possibly (certainly?) ensuring Jesse’s death at the hands of Gus Fring’s drug gang. So both of Walt’s rivals for Meth Cooker-in-Chief could be out of the picture by early next season. Walt’s ruthlessness will have paid off again — but at what cost to those around him? Based on the past, it’s probably too appalling to contemplate.

Walter’s character arc — from naive chemistry teacher, to desperate cancer patient, to unpolished drug dealer,  to cold-blooded murderer and manipulator — has been fascinating to follow for the past three years. But this season, it’s been equally fascinating to discover more about the elegant, hypercautious drug lord Gus (a great Giancarlo Esposito), the gruff, inhumanly efficient fix-it man Mike (Jonathan Banks) and the comical yet nimble lawyer Saul (Bob Odenkirk).

While Sunday’s show was a satisfying wrap-up to the season, it wasn’t nearly as suspenseful as an earlier episode, “One Minute,” in which Walter’s DEA agent brother-in-law Hank (Dean Norris) took down the terrifying Cousins in a parking-lot shootout that ranks as one of the most gripping sequences in recent TV history. (And once again, we see the consequences of Walt’s actions exacting a devastating toll on those close to him.)

You know in your gut that this story is not going to end well for all involved, but you can’t wait to see what grim surprises await.

That’s great television.